範曾（1938.7.5-），字十翼，別署抱衝齋主，江蘇南通人，中國當代大儒、思想家、國學大師、書畫巨匠、文學家、詩人。 現為北京大學中國畫法研究院院長、講席教授，中國藝術研究院終身研究員，南開大學、南通大學惟一終身教授，聯合國教科文組織“多元文化特別顧問”，英國格拉斯哥大學名譽文學博士，加拿大阿爾伯塔大學榮譽文學博士。 是當代中國集詩書畫、文史哲、儒釋道於一身的文化大家，平生著作等身，已出版一百六十餘種詩、書畫、哲學之著述，國家圖書館珍藏其中119種。
範曾提倡“迴歸古典、迴歸自然”，身體力行“以詩為魂、以書為骨”的美學原則，對中國畫的發展厥功至偉，開創了“新古典主義”藝術的先河。1984年，日本岡山範曾美術館建立；1986年，捐建並主持南開大學東方藝術系；2008年，南通大學範曾藝術館揭牌；2011年，榮獲中華藝文獎終身成就獎。有二十四字自評：痴於繪畫，能書；偶為辭章，頗抒己懷；好讀書史，略通古今之變。
道法自然圖
人法地，地法天，天法道，道法自然。要真正以“道”來統御萬民，就要順應時令和萬物生長規則，讓他們恢復到他們本來的樣子，無為而治，天下得自然之法，安定。
此圖描繪一老者教小孩學識的情景，一白羊回首相望，是一幅具有風俗性質的小景畫。畫中以極簡潔的場景，卻烘托了一個極充實的情境，整個牧童、羊、大樹、老者，等景物都被這牧童與老者的肢體交流所聚氣，可謂是無聲勝有聲，好像他們在說著什麼。
牧童的衣服呈粉色，而老者的白色衣物與這白羊相呼應，以藍色頭巾腰帶點綴，而孩童採用大紅頭巾以及腰帶，這是一種大師採用的畫面佈局，增強人物之間的呼應。
可以看到這隻羊畫的精氣十足，畫動物主要表現出力量感，精氣神，關節以淡墨暈染，顯得更有立體感，是一種透視手法，雙耳豎立好像在聆聽著什麼，又像是為這一老一小把風，警覺性很強，十分有趣。
正所謂氣關筆力，墨關韻彩，氣之所致，力乃至焉，整幅作品，線條十分有力道，書寫落款，字字精美，落款范增，印章規整，鮮豔，范增屬於我國頂級大師，作品在藝術市場十分搶手，這件作品行雲流水屬於壓箱底的作品，且表面沒有任何髒汙，損毀，品相完美，是極為難得的館藏級作品。
劉文西（1933年10月17日-2019年7月7日），出生於浙江省嵊州市長樂鎮水竹村，中國人物畫泰斗，“浙派人物畫”代表畫家之一、黃土畫派創始人。1950年在上海進入陶行知先生創辦的“育才學校”學習美術，1953年入浙江美術學院，受潘天壽等先生教導，1958年畢業後到西安美院工作。曾任全國文聯委員、原中國美術家協會副主席、中國畫藝委會委員，全國首批百位名師稱號獲得者。曾任黃土畫派藝術研究院院長、中國當代畫派聯誼會主席、陝西省文藝界聯合會顧問、陝西省美術家協會名譽主席、西安美術學院名譽院長、教授、博士研究生導師，全國有突出貢獻的專家。
劉文西高原秋收圖
當前南方進入了農忙時節，又到了農民開始忙碌的時候了。金色的稻田隨風盪漾，不論是來回穿梭的收割機，還是傳統的人工收割，田間地頭，一派繁忙景象。今天給大家帶來一幅劉文西的《高原秋收》，讓我們與農民們一起感受豐收的喜悅！
劉文西《高原秋收》
陝北的秋天，金黃的大地，處處是豐收的景象。家家戶戶，男男女女，老老少少都帶著滿腔熱情，加入收秋大軍。玉米粗壯，高粱飽滿，穀穗沉甸甸，忙碌的人們笑逐顏開，熱火朝天。他們收穫了勞動的碩果，也收穫了生活的幸福和憧憬。
畫面中一番收穫的喜悅，小孩聚集一處，被大人包圍著，有著潛意識的保護欲，在農忙之時會有分心，擔心孩子安全，把小孩聚與中間，也能很好的照看到小孩。
可見字型猶如游龍，彎曲遊走，有如游龍一般，印章對應劉文西章譜，完全符合，為真品無疑。
畫中人物惟妙惟肖，色彩鮮明，細節處理十分到位。他的畫帶給我們的是故鄉情結，樸實的風情。劉文西的繪畫，代表著中國畫寫實風格的發展方向，他的藝術精神，就是中華民族自強不息的精神，他是中國現代美術史上的一顆璀璨明珠。
他在不斷探索創新，在歷史生活和現實生活中去尋找自己感動的題材，進行典型化的思考和提煉，並最大限度地用自己繪畫創作能力去刻畫人物和處理作品諸要素的協調和整合，力求達到思想深度和藝術高度的完美統一。在當今時代，劉文西的這種生產精品力作的創作方法和創作規律，尤其顯得可貴，所以這副畫極具收藏價值！目前劉文西逝世不久，字畫處於上升通道，無論是藏家還是投資者是不會錯過劉文西的作品，特別是人物畫。
青花瓷（blue and white porcelain），又稱白地青花瓷，常簡稱青花，是中國瓷器的主流品種之一，屬釉下彩瓷。青花瓷是用含氧化鈷的鈷礦為原料，在陶瓷坯體上描繪紋飾，再罩上一層透明釉，經高溫還原焰一次燒成。鈷料燒成後呈藍色，具有著色力強、髮色鮮豔、燒成率高、呈色穩定的特點。原始青花瓷於唐宋已見端倪，成熟的青花瓷則出現在元代景德鎮的湖田窯。明代青花成為瓷器的主流。清康熙時發展到了頂峰。明清時期，還創燒了青花五彩、孔雀綠釉青花、豆青釉青花、青花紅彩、黃地青花、哥釉青花等衍生品種。
折枝菊紋青花罐
菊花為文人最愛，其寓意有以下幾方面：1、象徵正直不屈；2、象徵吉祥長壽；3、象徵高雅純潔；4、象徵隱士歸隱的悠然。1、象徵正直不屈。菊花又被稱為“黃花”，在古代中華民族中認為黃色的大地，因此黃色也是中色、正色。菊花凌霜而開，傲岸不屈，象徵著中華民族的正直不屈。
康熙青花在繪畫技法上，改變了明代青花先勾勒花紋輪廓線，然後塗色的傳統方法，即單線平塗，而是採用渲染的技法，在瓷坯上繪畫，一種顏色能表現出濃淡深淺多種不同，最多能分出八九種色階。
此罐肩部畫回形紋，口緣無釉，肩胎無釉，是有蓋子的青花罐，可以看到腹部的畫面為留白畫，以留白表示枝葉花蕊，周邊青花顏色層次豐富，正是符合了康熙的八九色階的特徵。
俗話說康熙瓷器一看色階，二看色感，其色感緊皮亮釉，正是馬未都所講的康熙瓷器特徵，整個青花罐滿青花紋飾，實屬罕見，一般以留白為地，這種滿青花地的只有清早期才有的特徵，而後期的滿青花只是一種單色釉而已，並沒有這種層次感，也就表現不出如此精美的藝術。
此罐品相完美，實屬難得，整個青花畫面顏色深淺不一，青花暈散明顯，吃進胎骨，毫無浮與表面之感，畫面極其生動自然，不管從任何角度欣賞都是古韻十足，青花瓷是能最好表現潑墨山水畫的瓷器，這是其它瓷器所做不到的，所以青花瓷最具中國風，最能體現中國山水畫藝術的最好載體，china這個單詞大家都知道是中國的意思，可是最早這個單詞的意思就是瓷器，因為當時中國被稱之為瓷器之國，可見我國瓷器的影響之大，已經成為對外的一張藝術名片了，而當時出口瓷最多的就是青花瓷，這件青花瓷開門見老，畫工精美，綜上所述是一件十分難得的館藏級藏品，可謂是千金易得，一寶難求。
英文翻譯：Fan Zeng (1938.7.5-), the word ten wings, other department baochong zhai Lord, Nantong, Jiangsu, Contemporary Chinese scholars, thinkers, masters of Sinology, painting and calligraphy masters, writers, poets. Currently he is the dean and chair professor of The Chinese Painting Institute of Peking University, a tenured researcher of the Chinese National Academy of Arts, the only tenured professor of Nankai University and Nantong University, the "Special Adviser on Multiculturalism" of UNESCO, honorary Doctor of Letters of Glasgow University and Honorary Doctor of Letters of Alberta University. Is the contemporary Chinese collection of poetry, calligraphy and painting, literature, history and philosophy, Confucianism, Buddhism and Taoism in a body of cultural masters, life works, has published more than 160 kinds of poetry, calligraphy and painting, philosophy works, the National Library collection of 119 kinds of them.
Fan once advocated "return to classical, return to nature", practicing the aesthetic principle of "poetry as the soul, book as the bone", great contribution to the development of Chinese painting, creating the "neoclassical" art. In 1984, Okayama Fanzeng Art Museum was established; In 1986, he donated to establish and presided over the Department of Oriental Art of Nankai University. In 2008, Fanzeng Art Museum of Nantong University was inaugurated; In 2011, he won the Lifetime Achievement Award of China Art and Literature Award. There are 24 words: crazy in painting, can book; I am a rhetoric, quite lyric; Good reading history, a little through the ancient and modern change.
Tao nature map
Man and earth, earth and heaven, heaven and Tao, Tao and nature. To truly rule the people by "Tao", we should comply with the season and the rules of growth of all things, so that they can return to their original appearance, do nothing to govern the world, the law of nature, stability.
This picture depicts a scene of an old man teaching a child knowledge. A white sheep looking back at each other is a small scene with the nature of custom. The scene in the painting is very simple, but it sets off a very rich situation. The whole scene, such as the shepherd boy, the sheep, the tree and the old man, is animated by the physical communication between the shepherd boy and the old man. It can be said that they are silent and sound, as if they are saying something.
The shepherd boy's clothes are pink, while the old man's white clothes echo the white sheep, dotted with a blue turban belt, while the children use a big red turban and belt, which is a picture layout adopted by the master to enhance the echo between the figures.
It can be seen that the sheep painting is full of vigor and vitality. The animal painting mainly shows a sense of strength and vigor. The joints are dyed with light ink, showing a more three-dimensional sense.
So-called gas saturated, ink colour, caused by the gas, force, and how, the whole picture, the line is powerful, writing, with elegant, inscribe fan ceng, seal neat and bright, belong to China's top master fan ceng, works in the art market is very hot, the work flowing belongs to the closet, and the surface without any dirt, damage, quality perfect, It is a rare collection of works.
Liu Wenxi (October 17, 1933 -- July 7, 2019), born in Shuizhu Village, Changle Town, Shengzhou City, Zhejiang Province, is a leading figure painter in Chinese figure painting, one of the representative painters of "Zhejiang School figure Painting" and the founder of Loess Painting school. In 1950, he entered The "Yucai School" founded by Tao Xingzhi in Shanghai to study fine arts. In 1953, he entered Zhejiang Academy of Fine Arts, where he was taught by Pan Tianshou and others. After graduation in 1958, he went to xi 'an Academy of Fine Arts to work. He was once a member of the All-China Federation of Literary and Art, the former vice chairman of the Chinese Artists Association, a member of the Chinese Painting Art Committee, and one of the first one hundred masters in China. He has been the president of loess School Art Research Institute, the chairman of China Contemporary Painting Association, the adviser of Shaanxi Federation of Literary and Art Circles, the honorary chairman of Shaanxi Artists Association, the honorary president of Xi 'an Academy of Fine Arts, professor, doctoral tutor, and an expert with outstanding contributions in China.
Autumn harvest of Liu Wenxi Plateau
At present, the south has entered the busy farming season, and it is time for farmers to start busy again. The golden rice fields are ripening in the wind, and the fields are busy with harvesters and traditional hand harvesting. Today, I will bring you a picture of Liu Wenxi's autumn Harvest on the Plateau. Let us feel the joy of harvest with the farmers!
Autumn Harvest on plateau by Liu Wenxi
Autumn in northern Shaanxi, the golden earth, everywhere is the scene of harvest. Every family, men and women, young and old with enthusiasm, to join the autumn army. Thick corn, sorghum full, heavy ears of grain, busy people smile, in full swing. They harvested the fruits of labor, also harvested the happiness of life and longing.
In the picture, the joy of harvest, children gather together, surrounded by adults, with subconscious desire for protection, they will be distracted in busy farming, worried about the safety of children, children gathered in the middle, can also see the child in a good picture.
Visible font is like a wandering dragon, bending and wandering, just like a wandering dragon. The seal corresponds to liu Wenxi's chapter spectrum, which is in full accord with the genuine article without doubt.
The figures in the painting are vivid, the colors are bright and the details are in place. What his painting brings us is hometown complex, simple amorous feelings. Liu Wenxi's painting represents the development direction of Chinese painting realistic style, his artistic spirit, is the spirit of the Chinese nation self-improvement, he is a bright pearl in the history of Chinese modern art.
He is constantly exploring and innovating, looking for the subject matter that moves him in both historical life and real life, carrying on typical thinking and refining, and maximizing his painting creation ability to depict the characters and deal with the coordination and integration of various elements of the work, striving to achieve the perfect unity of the depth of thought and the height of art. In today's era, liu Wenxi's creative methods and laws of producing fine works are especially valuable, so this painting is of great collection value! At present, not long after Liu Wenxi's death, calligraphy and painting is on the rise, no matter collectors or investors will not miss Liu Wenxi's works, especially figure painting.
Blue and white porcelain, also known as blue and white porcelain, is one of the mainstream varieties of Chinese porcelain. It is an under-glaze porcelain. Blue and white porcelain is made of cobalt ore containing cobalt oxide as raw material. It is painted on the ceramic body and then covered with a layer of transparent glaze. It is fired by a high temperature reduction flame. Cobalt material is blue after firing, with strong coloring power, bright hair color, high firing rate, color stability. The original blue and white porcelain appeared in the Tang and Song dynasties, while the mature blue and white porcelain appeared in the Hutian kiln of Jingdezhen in the Yuan Dynasty. Blue and white porcelain became the mainstream in Ming Dynasty. It reached its peak during the Reign of Emperor Kangxi of qing Dynasty. The Ming and Qing dynasties, also created the blue and white colorful, peacock green glaze blue and white, bean green glaze blue and white, blue and white red color, yellow blue and white, brother glaze blue and white and other derivatives.
Fold a chrysanthemum pattern blue and white pot
Chrysanthemum is the favorite of literati, and its implication has the following aspects: 1. 2, a symbol of good luck and longevity; 3, symbol of elegance and purity; 4, a symbol of the recluse of leisure. 1, a symbol of integrity and unyielding. Chrysanthemum is also known as "yellow flower", in the ancient Chinese people considered yellow earth, so yellow is also a medium color, positive color. Chrysanthemum ling frost and open, proud and unyielding, a symbol of the Integrity of the Chinese nation.
Kangxi's blue and white painting technique changed the traditional method of the Ming dynasty blue and white painting, that is, single line flat painting, instead of using the rendering technique, painting on the porcelain, a color can show a variety of different shades and depths, can distinguish up to eight or nine color levels.
It is a blue and white pot with a lid. You can see that the picture on the abdomen is a blank painting, with white space for branches and leaves and stamens. The surrounding blue and white colors are rich, which is exactly in line with the characteristics of Kangxi's eight or nine color scales.
As the saying goes, kangxi porcelain at levels, and the sense of color, the color on the PiLiang glaze, is just what ma did not speak of kangxi porcelain features, the blue and white cans full of blue and white decoration, is rare, usually with white space, the full of blue and white only some characteristics of the early qing dynasty, and later with blue and white is only a single color glaze, does not have this kind of administrative levels sense, It would not have produced such fine art.
This pot quality perfect, a rare, the blue screen color shades, blue and white halo powder, eating into the fetal bone, and the surface without feeling, picture extremely vivid and natural, no matter from any Angle to appreciate is a sensibility, blue and white porcelain is the best performance splash-ink landscape painting of China, it is the other porcelain can't do, so most Chinese wind of blue and white porcelain, The most can reflect the best carrier of Chinese landscape painting art, China this word is the meaning of the Chinese is known to all, but the meaning of this word is the earliest porcelain, because the country is referred to as Chinese porcelain, is our country porcelain, the influence of art has become a foreign card, at a time when most export porcelain is blue and white porcelain, This blue and white porcelain opens the door to see the old, the painting is exquisite, all in all, it is a very rare collection, it can be said that a treasure is easy to get, a treasure is hard to find.
